Virtuosi of Houston

It is vital that Virtuosi of Houston continues to develop and maintain the resources required to carry on its admirable efforts and perpetuate its positive influence in the Houston arts community.

They played beautifully, and everyone was impressed not only by their talent but also by their professionalism! Although I thanked them publicly last night, I just wanted to let them know again, how much we appreciated their music. Please pass on my gratitude on behalf of the M.D. Anderson Faculty and Family Organization, particularly Adriel who did a fabulous job as the first violin.

I left my first Virtuosi concert telling everyone that this group of musicians could play in any orchestra pit in America.

It’s rare to find a performance program that cares about giving a well-rounded experience to their students. The entire workshop was well run and organized, focusing on exposing students to an in-depth study of the string quartet and its literature… With top-notch staff, faculty, facilities, and a clear vision, it would be difficult to find something better in Houston.

I was very impressed not only at the general level of the student participants but at the quality of their work and the obvious commitment they all showed. It is a feather in the cap for Virtuosi to attract the high quality of students that they do and provide an environment of high class teaching, support and encouragement.

Our family had a very unique and quality experience when we meet Anthony Cooper a Virtuosi of Houston scholarship recipient. He found our daughter’s Wayne Burak cello on Craigslist and drove all the way from Houston to play it. This very talented young man was not only motivated to purchase this instrument by his passionate love of music but also by his pending scholarship from Virtuosi. We truly believe the spirit of the grant matched the spirit of the musician and a perfect match was made…It was so magical for our family to see and witness such love and passion for the cello through this young man. He wasn’t interested in anything about the instrument except for the “sound” and he played with amazing beauty!…We have all been enriched by this gracious gift and we applaud Virtuosi for making this connection possible….Thank you to all at Virtuosi for making such a special connection to music in so many lives.

I was extremely impressed with the high caliber of the musicians in the orchestra. They are truly the best of the best. They had a very challenging repertoire and played it at the highest level. The Orchestra has become a treasure to the Houston Arts scene that rivals the Houston Symphony and many other major arts organizations in the city. The overall management of the group and public image is impeccable.

I recently had the opportunity to work with some of their students for a program we had here at Kawai Piano Gallery. It is unusual to see young people who are so professional and poised under pressure and this is a direct result of the leadership they receive from the people at Virtuosi of Houston. The students were asked to perform in front of a crowd of people and then have their performance critiqued by a professional musician. This is a daunting situation for even the most advanced college students—many of whom buckle under the pressure. The students handled this with ease and grace I rarely see from their peers. Our concert hall is used extensively by different organizations and teachers for recitals and performances. It was a pleasure to work with people from Virtuosi of Houston and I look forward to working with them in the near future.

As a professional flutist, I am a prime example of the benefits that Virtuosi so proudly gives. Eight years ago, I was looking for a way to share my talent. Virtuosi took me in and watched me flourish: it was a formative experience for me both socially and musically. Maestro Krager and Maestro Grabiec gave me knowledge and love for a wide variety of music, repertoire that is not often experienced because it is intended only for chamber orchestras. I developed skill and the sensitivity required for ensemble playing. I learned to perform under pressure, how to follow a conductor and the importance of rehearsal etiquette. I developed patience, discipline, confidence and leadership skills. When I entered the Boston Conservatory of Music in 2007, I was already more advanced than any of my classmates…After, I decided to follow my career in Europe where I graduated from the Brussels Conservatory of Music this past June 2012 with the “highest distinction”. A few weeks later, I signed a contract with the Royal Opera House “La Monnaie” in Brussels, Belgium.